The Prague Spring is usually
understood as a clash between two groups on the level of real power: those who
wanted to maintain the system as it was and those who wanted to reform it. It
is frequently forgotten, however, that this encounter was merely the final act and
the inevitable consequence of a long drama originally played out chiefly in the
theatre of the spirit and the conscience of society. And that somewhere at the
beginning of this drama, there were individuals who were willing to live within
the truth, even when things were at their worst. These people had no access to
real power, nor did they aspire to it. The sphere in which they were living the
truth was not necessarily even that of political thought. They could equally
have been poets, painters, musicians, or simply ordinary citizens who were able
to maintain their human dignity. Today it is naturally difficult to pinpoint
when and through which hidden, winding channel a certain action or attitude
influenced a given milieu, and to trace the virus of truth as it slowly spread
through the tissue of the life of lies, gradually causing it to disintegrate.
One thing, however, seems clear: the attempt at political reform was not the
cause of society’s awakening, but rather the final outcome of that reawakening.
Havel, Vaclav (1986) The Power of
the Powerless. In “Living with Truth.”
London and Boston: Faber and faber. p.60.
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